Disaster Artist - Chapter 998 open way

【Disaster Artist】【】

Wei Che, dumbfounded, watched the two scumbags in front of him continue to talk like no one else, even if it was all set, he couldn't perform.

Like two lunatics.

But it happens that it is actually happening.

Wei Che couldn't help but remember that when he and the crew were working, they would quarrel so red that they could not wait to tear the face in front of him to shreds.

However, after the quarrel was over, the inspiration and the track were found again, and after the heavy work completed a shot, the joy made them embrace each other again.

So, is all this really a trap?

Deep down, Wei Che hoped that he was wrong.

In the courtyard, the discussion continued, and the four figures on the sidelines, including Wei Che, were not noticed at all.

"Hanzhou, do you remember the 'community'?"

Lu Qian threw out a key point, Wei Che's heart shrank, Lu Qian really didn't know he was here? How else would you mention "community"?

Lin Hanzhou's eyes lit up, "Of course I remember that the editing method of that movie was very special, it was completely natural with the soundtrack, and the director paid great attention to the position of the camera and the placement of the lines when shooting, linking one link after another. Creates a drum-beating effect."

"Crack," Lu Qian snapped his fingers.

"Yes, but we don't want to learn 'community'." Lu Qian turned a turning point, the story turned to another direction, Wei Che was a little kidnapped, didn't he learn himself?

"I mean, the editing of 'Community' is rhythmic, as you said, the entry point of the composition and the lines, and the editing point perfectly."

"The Star Wants To Retire"

"Similarly, this time we have to do the same, you need to imagine that the whole film is like a tango, and the cutting point of editing and editing needs to feel the rhythm and rhythm."

"But!" Lin Hanzhou tried to interrupt Lu Qian, but this time Lu Qian took a step ahead and raised his hand to stop Lin Hanzhou. Lin Hanzhou obediently closed his mouth.

"But," Sure enough, Lu Qian still had a turning point, he was not disturbed, and the words continued.

"What's different this time is that it is also fragmented editing, but the editing points are different. The focus of editing is to show the rhythm, the rhythm of space, not the rhythm of action."

In the "Assault" series, the fragmented editing is sharp enough and neat enough. The editing point follows the action.

What's the meaning?

For example, when Guan Zhou hits the cheek, neck, and arm with a punch, the editing points will fall on the position where the fist hits, and the close-up shots will be stitched together to create a sense of impact from the punch to the flesh, even for those long shots. Follow the movement and feel the rhythm of your body.

This set of editing methods also amplifies the realism to the extreme, bringing the viewing effect of adrenaline blowout.

Of course, different types of movies need to achieve different viewing effects, and the editing methods are naturally different, but the "Deadpool" and "Raid" series are both action movies, so how to create different impact in the same type of movies?

Lu Qian, ready to make an attempt.

"Deadpool", the editing also needs to be fragmented, but first, don't be so fragmented; secondly, the editing point, follow the camera.

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【Disaster Artist】【】

Simply put, edit points don't need to take care of the fight scenes on camera.

To give an extreme example, Reynolds is hitting the opponent, but the hitting action has not been completed, the editing point is directly cut off, and it is switched to another angle or another scene, it does not matter -

Of course, the actual operation will not be so simple and crude, this is just to illustrate that the "action" is no longer the cutting point of the cut.

The real point of editing should be the connection point of the mise-en-scene.

From close-up to panorama, from mid-range to close-up, the connection between shots is not only smooth, but also atmospheric, perfectly presenting the entire space.

In order to ensure this, Lu Qian spent countless thoughts on the positioning and scheduling of the camera during the shooting process, which was also the biggest problem in shooting.

He not only used one mirror to build the frame and context of the entire film, but also required the connection of all the details of the background in the close-up and close-up, so as to ensure that in the process of moving clouds and water, the whole scene can be presented 360 degrees without dead ends. Finally complete the build by clipping —

Three-dimensional viewing effect.

Undoubtedly, this also means that when Lin Hanzhou is editing, he must have the entire three-dimensional effect in his mind, with both a sense of space and rhythm, otherwise the context presented by the whole film will be ruined. As for the audience, they were in a fog and couldn't understand it at all.

"Be intuitive."

"Hanzhou, have you watched the tango video I sent you before?"

"do you remember?"

"Tango is a special dance where two dancers are in a state of interaction and confrontation, they are partners and opponents, they cooperate and wrestle with each other."

"As the dance moves, the tension between the two slowly fills up, and the spark between you coming and going, you retreating and I advancing is always in a state of flow."

"Now, between the camera and the characters, the editing and the picture, it's the same feeling."

Lu Qian has a picture in his mind, and he can edit it himself, and he can also complete the work, but the problem is that Lu Qian lacks that little spark of inspiration, and precisely, this is the unique rhythm that Lin Hanzhou can give the film's narrative rhythm, so , Lu Qian needs Lin Hanzhou to fully understand his conception.

"At one point, I needed the editing to feel the whole space."

"The line of sight always covers the two dancers, and then you can also notice what is happening in the scene behind you. The montage of the editing points should help the audience to see the part behind the camera and the blind spot of the camera, and the entire battlefield is three-dimensional. "

"Complex but vivid, grand but vivid."

"Secondly, I needed the editing to feel the rhythm and rhythm."

"This, just like the 'community', we will use a lot of drums and chords as the soundtrack, before the actual editing~www.novelbuddy.com~ You should listen to the soundtrack repeatedly, feel the rhythm of the soundtrack, and then use the editing point to go Feel it, experience it, blend it in, and make sure the picture dances with it.”

Similar, but different.

In terms of action-type movies, Blue Whale Pictures has successively contributed many excellent works, such as the "Raid" series and "Fast Pursuit", and when it comes to "Deadpool", Lu Qian is not ready to take his old money.

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【Disaster Artist】【】

Not only is it not prepared for this, but it also presents a whole new challenge.

He hopes to present a more novel, fun and unique viewing experience based on the inherent framework of the action genre.

From before the shooting to the shooting period, they put in countless efforts and sweat. Lin Hanzhou did not go to Qingcheng to participate in the shooting, but he completely grasped Lu Qian's creative ideas, and followed Lu Qian to complete the design and sorting of a large number of shots. Therefore, entering In post-production, all the burdens rest on Lin Hanzhou's shoulders.

An excellent work requires the united efforts of the entire crew. The director is just the captain, and all other links are indispensable.

Three-quarters of the production of "Deadpool" has been completed, but does this mean that the remaining quarter is not important?

of course not.

Without the remaining quarter, the first three quarters would be just a pile of colorful garbage no matter how perfect it was, and it might even be completely destroyed at this step—

In the long history of movies, there are countless similar cases, Wei Che's "Monster 3" is a direct case.

Lu Qian, still can't take it lightly, he has no capital to relax.