Disaster Artist - Chapter 981 2 hard choices

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He didn't speak for a long time, what was Lu Qian doing?

trade off.

Objectively speaking, the filming just now was smooth and smooth, and it was very, very good. From the movement of the lens to the composition to the light and finally to the performance, the entire crew worked together, and all departments worked together, and finally sparks collided, completing a roller coaster-style ups and downs. shooting.

Difficulties always existed, but they overcame them and transformed the most exaggerated, splendid, romantic, and bizarre imaginary pictures in Lu Qian's mind into reality.

After being busy these days, this shooting is undoubtedly the best and most complete, close to perfect—

There's nothing wrong with calling it quits now.

Lu Qian is sincere. This time, he can indeed pass and invest in post-production. He believes that Lin Hanzhou can feel the rhythm hidden in the lens.

So, why is Lu Qian hesitant?

"Close to perfect" does not mean perfect, just "close".

Is there any room for improvement in this game?

Of course there is.

First, Renault's martial arts movements, he has worked very, very hard, using the power of the wild, it can be seen that countless sweats are poured into his back.

But don't forget, Lu Qian's eyes were spoiled by Guan Zhou and Hong Jiaban when two "raid" films were filmed in a row.

Renault's action scenes are still not light enough and slightly bulky:

Some parts are due to the actor's own reasons. The difference between professional and unprofessional. If Guan Zhou performs the performance, it will be smoother and more unrestrained.

For some parts, it is not the actor's problem. Even if Guan Zhou comes, he still needs the help of Weiya to break the shackles of gravity.

Usually, these flaws can be completely concealed by editing, making "editing" a stimulating factor for actors' martial arts movements and increasing the sense of visual impact; however, this is a shot to the end, and non-professionals can still see the cumbersomeness, to some extent , has some effect on the whole picture.

The solution is not difficult either.

Either, the stuntman will go into battle; or, cut out the corresponding clip from the end of one shot and shoot it alone, if you should use Weiya, use Weiya, if you should use a stand-in, use a stand-in, and you should change the angle to provide material for post-editing. Angle, there is no need to rigidly stick to it.

Either... reshoot and discuss the details with Reynolds individually to see if he can pay attention and make improvements.

Second, composition and mirror movement.

There is no problem with the entire frame and context, but in terms of lens texture, Chen Ziyang still lacks a little vitality. Compared with Chen Mu, the mechanical feeling is more obvious.

Of course, this will not affect the quality of the movie, but Lu Qian still wants to see if Chen Ziyang can unearth more.

Third, lighting.

The main point is the "House of Flying Daggers" scene. Chen Ziyang worked very hard and Su Ziyi was very responsible, but in Lu Qian's view, the quality of the picture was still lacking.

Fourth, a little extra inspiration.

In the whole one-shot-to-the-end shot, Lu Qian wanted to add a bird's-eye view.

That is to say, the lens lifts into the sky and moves from the jib camera to the drone, which is similar to the beginning of the "raid", from point to surface, and then from surface to point.

What's the meaning?

To put it simply, the camera is shifted from Deadpool, overlooking the entire battlefield, not only Colossus and Sonic Warhead are included in the picture, but also Aja and Sasha.

Looking at the overall situation, there is a sense of grandeur. The lens that originally focused on Deadpool rose to the cosmic level, and suddenly made life small; then returned to Deadpool again, creating a kind of helplessness and bitterness of fate—

Deadpool and Sasha, is their love destined to be a tragedy?

In this movie, it must be a reunion finale, Deadpool rescues Sasha, although Aja tells Deadpool that his appearance will never be restored, Sasha doesn't care at all, the one she loves is that Wade, and Appearance has nothing to do with appearance, their love is still complete after all.

However, is that all there is?

After Deadpool was transformed, he was actually involved in the war of mutants, his wishes no longer mattered, and the wheel of fortune had begun to turn.

Although Deadpool is cynical and unruly, his fate is no longer in his own hands.

Doesn't this match the lighthearted tone of the whole movie?

Not so.

In the first half of the movie, Lu Qian injected a tragic temperament into the three characters of Deadpool, Sasha, and Aja. All three of them are the same:

Abandoned by fate and life, they are all little strongmen living in filth and mud, struggling and trying to take control of their own destiny.

Of course, according to different ways, they also realized this idea for a short time, but the sadness and despair in the depths of their souls lingered forever.

This is also the fundamental reason why Deadpool and Sasha are attracted to each other. In other words, at the moment they met, the two wounded souls embraced each other, which was already doomed to the birth of a tragedy.

Originally, the tragedy of two ordinary people is to hug each other and destroy together, sad, but romantic; but Aja changed the fate of Deadpool, so that Deadpool could not die and could continue to repair itself, which also meant , the fate of Deadpool and Sasha has written the ending.

It seems complicated, but everything is imprinted in Lu Qian's picture.

Now, Lu Qian hopes to further magnify the grandeur of this tragedy in the climax of the decisive battle, and that sense of powerlessness is deeply rooted in the characters.

Like standing in the long river of the vast universe overlooking life, their insignificance, their powerlessness, and their tragedies are but a speck of dust.

So, how should the camera move?

Switching from Chen Ziyang to the jib camera and then to the drone also means that he needs to transfer the second group back, and Chen Mu will complete this part of the shooting.

But...is it really necessary?

So much trouble?

More importantly, the shooting of one shot to the end, every time it is repeated, is a kind of torture and a burden, and the cost cannot be ignored:

They are burning money.

Lu Qian also understands that if you shoot repeatedly, it may not be better than the previous one. Film creation is about inspiration and a little luck.

Moreover, once you continue to shoot, it may not be one or two more shots. Three, four, or five times are all high-probability events. In pursuit of perfection, even if you don’t step on the accelerator, you often can’t stop the car.

Therefore, Lu Qian must raise a question mark:

does it worth?

More precisely, is it necessary?

On one side, there is the perfectionism of artistic creation.

On the one hand, it is the proportion of commercial works.

The tug-of-war between "business and art" is a dilemma.

The crew is still busy, even if Lu Qian did not instruct ~www.novelbuddy.com~ all departments are still busy step by step, no one rests.

Ji Xu immediately noticed Lu Qian's silence.

He arrived in Qingcheng the day before yesterday.

In the past, Ji Xu had been in Lanchuan, busy with the echo, and he didn't need to worry about the shooting of "Deadpool" until the shooting of this scene.

Take one shot and burn a million—

Judging from the cost budget of "Deadpool", they really couldn't continue to support Lu Qian's burning, so Ji Xu hurried to Qingcheng.

Only by seeing it with your own eyes can you know how difficult the filming of this scene is.

Now, after finally shooting an excellent version, what is Lu Qian still hesitating about?

Ji Xu was a little impatient.

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